Description:

ALICE RAVENEL HUGER SMITH
AMERICAN, CHARLESTON, SOUTH CAROLINA, 1876-1958
SURF, 1931
Watercolor on Whatman's watercolor board
Lower right signed and dated: Alice R. Huger Smith 31

Catalogue note:
One of the catalysts of the Charleston Renaissance, Alice Ravenel Huger Smith was a native and lifelong resident of that city. Smith is best remembered for her scenic views of Charleston streets and poetic marsh vistas in which she captures the mystical aura of the Carolina Lowcountry. In her memoir, Smith explained that "my own lovely flat country of rice fields, of pinewoods, of cypress swamps, of oaks, lotus, and all their attendant feathered folk would yield me a full harvest if diligently spaded." From 1924 on, she painted almost exclusively in watercolor, finding that medium most conducive to achieving the atmospheric effects she sought in her landscapes. These evocative scenes are generally devoid of human presence or activity, serving instead as odes to the natural beauty around her.

Along with her friends Elizabeth O'Neill Verner, Alfred Hutty, and Anna Heyward Taylor, Smith was at the center of Charleston's artistic reawakening during the early twentieth century. An active contributor to the city's cultural development, she was a founding member of the Charleston Etchers Club and the Southern States Art League. She was also involved in the Historic Charleston Foundation, Carolina Art Association, and the Music and Poetry Society.

Smith exhibited widely through the South, but also in the Midwest and the Northeast, gaining a national reputation. Her work can be found in many prominent institutional collections, including the Brooklyn Museum, the High Museum of Art, the Ogden Museum of Southern Art, and the de Young Fine Arts Museums of San Francisco, among others.

Source: The Johnson Collection (thejohnsoncollection.org/alice-smith/)

  • Provenance:
    Anne Carrington Montague and by descent; Private collection
  • Dimensions: Board: 13 x 21 3/4 in. (33 x 55.2 cm.); Sight: 12 1/2 x 20 3/4 in. (31.8 x 52.7 cm.), Frame: 22 1/2 x 30 3/4 in. (57.2 x 78.1 cm.)
  • Medium: Watercolor on Whatman's watercolor board
  • Condition: There is overall toning.
    There is mat burn.
    There is surface dirt.
    The Whatman's board has lost some of the brown paper on the verso.
    (see extra photos of work out of frame)


    For a detailed condition report please request more information.

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October 29, 2024 10:00 AM EDT
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Potomack Company

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