Lot 1552

HILDA SHAPIRO THORPE, WASHINGTON DC 1920–2000, IN HONOR OF SIDI, 1976, Paper pulp and feathers mounted in a plexi box., 13 1/2 x 13 in. (34.3 x 33 cm.), Frame: 18 5/8 x 18 5/8 in. (47.3 x 47.3 cm.)

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HILDA SHAPIRO THORPE, WASHINGTON DC 1920–2000, IN HONOR OF SIDI, 1976, Paper pulp and feathers mounted in a plexi box., 13 1/2 x 13 in. (34.3 x 33 cm.), Frame: 18 5/8 x 18 5/8 in. (47.3 x 47.3 cm.)

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Estimate: $500 - $700

Starting Bid: $250

(0 Bids)

June 25, 2026 10:00 AM EDT
Timed Auction
Alexandria, VA, US

Description:

HILDA SHAPIRO THORPE
WASHINGTON DC, 1920–2000
IN HONOR OF SIDI, 1976
Paper pulp and feathers mounted in a plexi box.
Verso signed with initials
Catalogue note:
In 1976, Thorpe pioneered papermaking techniques, molding pulp into draped, layered forms on gauze and netting to explore light and sculptural abstraction, which she called a "revolution" in her process.
A pivotal shift occurred in 1976 when Thorpe was introduced to papermaking during a visit to Vermont, an experience she described as sparking a "revolution" in her practice by enabling direct manipulation of wet pulp.[1] She began with a small 5-by-5-inch deckle and mold, soon advancing to applying pulp directly onto gauze and cotton netting to create layered, draped, or pooled structures that emphasized sculptural volume and fluidity.[1]
In her paperworks, Thorpe explored the interplay of light, color, and form, using the medium's translucency to evoke shimmering effects and emotional depth, all while maintaining an improvisational process driven by intuitive responses to the materials.[1] Over four decades, this philosophy of spontaneous line, emergent form, and adaptive engagement with media defined her technical evolution, prioritizing process over preconceived outcomes.[1]
Her innovations were lauded in a 1982 Washington Post review by Benjamin Forgey, who described her paper sculptures as "a marvelous demonstration of self-confident inventiveness in the abstract mode…simultaneously touch[ing] the very different poles of articulate structure and lyrical color."
In her words: "a painter who sculpts, a sculptor who paints."

  • Provenance: From the artist to the present owner; Private Collection
  • Dimensions: 13 1/2 x 13 in. (34.3 x 33 cm.), Frame: 18 5/8 x 18 5/8 in. (47.3 x 47.3 cm.)
  • Medium: Paper pulp and feathers mounted in a plexi box.
  • Condition: For a detailed condition report please request more information.

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Bid Increments
From: To: Increments:
$0 $99 $10
$100 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $4,999 $250
$5,000 $9,999 $500
$10,000 $19,999 $1,000
$20,000 $49,999 $2,500
$50,000 + $5,000