Description:

JOHN E. FERNELEY SR.
ENGLISH, 1782-1860
CHESTNUT, GREY HUNTER AND PONY IN A LANDSCAPE WITH A CASTLE IN THE BACKGROUND
Oil on canvas
Lower right signed and dated: J. Ferneley / Melton Mowbray / 1838; verso labels
Note:
In Ferneley's account books, he lists a painting done in 1838 as: #447 for the Archdeacon Croft. Portrait of Two Horses and a pony. in "The Melton Mowbray of John Ferneley by Guy Paget" 1931.

Catalogue note:
John E. Ferneley Sr. is one of the most prominent equine painters in British art. Born in 1782, Ferneley began painting horses under the guidance of his mentor, the sporting painter Benjamin Marshall. Marshall enrolled Ferneley in the Royal Academy school, where Ferneley would exhibit his first painting in 1806. His reputation as a skilled equine painter grew quickly, allowing him to travel throughout England and Ireland and take many commissions. In 1814, Ferneley settled in the town of Melton Mowbray, Leicestershire, which at the time was a major hub for fox hunting. Ferneley's equine and hunting scenes became highly sought-after. He enjoyed a steady stream of wealthy patrons, including dukes, earls, professional sportsmen and famous socialites of the era, most notably Beau Brummel and Alfred D'Orsay. The 19th century art critic and writer, Walter Shaw Sparrow, once wrote that Ferneley was "...the Gainsborough of English Horse painters." His work is included in the collections of the Tate Gallery (London) and the National Museum of Racing (Saratoga), among others.

  • Provenance: Probably commissioned by the Archdeacon Croft 1838; The Sporting Gallery Inc. Middelburg; purchased in the1950s and by descent
  • Dimensions: 45 1/2 x 57 3/4 in. (115.57 x 146.69 cm.), Frame: 51 x 63 in. (129.54 x 160.02 cm.)
  • Medium: Oil on canvas
  • Condition: The work has an old lining.
    There are small areas of inpaint scattered around the painting. see attached jpeg images taken under uv black light.

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