Description:

JUDITH STREETER (AMERICAN, 1948-2001)
UNTITLED, 1995
Oil and mixed media on panel: 69 x 62 in.
Unframed; verso label: Stephen Haller Gallery, New York inv. no. JS96-231; verso signed: Streeter

Note:
During her short life, Judith Streeter had several exhibitions, notably a Solo Exhibition at the Chrysler Museum, Norfolk, Virginia, July 9-October 8, 1995;
"Most of the time she reaches for both, alternating them with such unexpected tools as a potter's rib or a sheet metal worker's shears. When all the plaster, pigment and other materials have been laid on, she starts to peel, scratch and scrape away, taking the surface down layer by layer only to build it up again.

The gutsy, highly physical work that results may take months of labor before Streeter considers it finished. Yet for all the raw, sensuous punch they pack, her mysterious paintings have a gripping contemplative power. " MARK ST. JOHN ERICKSON Daily Press, July 30, 1995;

Judith was represented by the Haller Gallery
"Judith Streeter STEPHEN HALLER GALLERY:
The surfaces of Judith Streeter’s paintings resemble weather-beaten, painted-wood exteriors (tattered billboards, abandoned barns), evoking at once rural poverty and the rich tones of desert earth and sky. Against the paradoxically fecund emptiness, she often places a cross to suggest a sort of balance or stasis. In style and tone, these beautifully finished and subdued pieces owe something to the work of Anselm Kiefer, keenly aware not only of the weight of the history of painting but of history itself. Their heavily reworked surfaces and those passages in which the underlying wood panel has actually been gouged out speak to an attempt to wrestle with the problem of sustaining faith in the validity of painting, but also to the difficulty of inhabiting an increasingly secular and chaotic world." Artforum, November 1994;

Judith's works can be found in private collections and various museums including the Guggenheim Museum, the Chrysler Museum, the Smith College Museum, the Albers Foundation and the New Britain Museum of American Art.





Provenance: Property of a New York philanthropist

  • Provenance: Property of a New York philanthropist
  • Medium: Oil and mixed media on panel: 69 x 62 in.
  • Condition: Condition reports are provided upon request but not included in the object description above. Kindly contact Potomack for condition notes.

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