Description:

MALVINA CORNELL HOFFMAN (AMERICAN, 1887-1996), BRONZE "BALI BOY WITH COCK" signed M/Malvina, and marked in white paint with black ink B657042, indistictly marked B125(?) to the inside;

In 1930, Hoffman began the most important project of her career. She had been asked by Stanley Field, director of Chicago's Field Museum of Natural History to create (along with several other artists) approximately 100 figures to represent the world's ethnic groups, then referred to as "races". Hoffman told Field that she would take on the commission, but only if she were the sole artist involved. In addition, she convinced Field that the works should be carved from stone or cast in bronze. In October 1931, with the final contract signed, she set off for a carefully planned eight month journey through the South Pacific, Japan, China, The Dutch Indies, the Malay Peninsula and India.

In 1932, she returned to Paris where she supervised the completion of her bronzes at the Alexis Rudier Foundry. While she was already considered a successful artist, her collection of bronzes for the Hall of Man at the Field Museum made her a celebrity. There followed a period of several years of large-scale exhibitions devoted primarily to ethnographic works, each with no fewer than 100 examples. See, Conner and Rosenquist, Rediscoveries in American Sculpture, Studio Works 1893-1939, 1989, p. 57-58.

The Field Museum in Chicago has several black and white photographs online of cock fighting scenes and of young men holding a rooster. One image in particular is certain to be the main inspiration for the present bronze. It shows a bare-chested young man with a head scarf and a furrowed brow, cradling a rooster across his abdomen (see image 77980.MH.598B). (#597-8, card number 1626) with typed notes: Bali…Place: Satrya Temple… Jan 30… Cocks train 3-4 months about 10 minutes a day.

The present bronze is not dated and it differs from the bronze models created for the Field Museum titled "Java Cockfighter". (The Field Museum bronzes depict a crouching figure of a man holding a rooster on the ground, before it goes into the ring) -

h:18.75 in.

Provenance: Christie's New York, 15 September 2005, Fine American Paintings, Drawings and Sculpture, lot 27
Property from the Glenbow Museum Sold to Benefit the Acquisitions Fund (Calgary, Alberta, Canada)

  • Condition: Condition reports are provided upon request but not included in the object description above. Kindly contact Potomack for condition notes.

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