Lot 1546

SAM GILLIAM, WASHINGTON DC 1933-2022, CHILDREN THREE, 1976, Acrylic and canvas collage on beveled edge canvas, 47 3/4 x 1 1/4 x 54 in. (121.3 x 3.2 x 137.2 cm.)

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SAM GILLIAM, WASHINGTON DC 1933-2022, CHILDREN THREE, 1976, Acrylic and canvas collage on beveled edge canvas, 47 3/4 x 1 1/4 x 54 in. (121.3 x 3.2 x 137.2 cm.)

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Estimate: $120,000 - $180,000

Starting Bid: $60,000

(0 Bids)

June 25, 2026 10:00 AM EDT
Timed Auction
Alexandria, VA, US

Description:

SAM GILLIAM
WASHINGTON DC, 1933-2022
CHILDREN THREE, 1976
Acrylic and canvas collage on beveled edge canvas
Verso titled and signed: Children Three '76 / Sam Gilliam
Verso Gallery Label: DART GALLERY, INC., / DC-4-77-31 / SAM GILLIAM / CHILDREN THREE. 1976 / 48 X 54" / SUITE 205/ 612 N. MICHIGAN AVE. / CHICAGO, IL.

Catalogue note: CHILDREN THREE (1976) is an important work from Sam Gilliam's ‘White and Black' series of paintings from 1975–77, a time of a radical reinvention for the artist. At this time, Gilliam moved away from his ethereal, draped canvases and, instead, returned to his bevel-edged constructed canvases on which he incorporated collaged canvas strips, multiple layers of prismatic-hued paint, and heavily-impastoed all-over surfaces.
The picture plane of CHILDREN THREE is encrusted with a scumbled monochromatic layer of hardened paint that reveals shifting veins and pools of vibrant color beneath. Two vertical strips of differently painted canvas and three seams (the children) are collaged onto the picture providing an area of stasis amid the dynamism of the surface. The overall effect of CHILDREN THREE is surprisingly complex and lyrical, shifting between: dynamic and static, projecting and receding, revealing and concealing, colorful and monochromatic.
The title of the painting likely refers to the artist's three daughters, who, although rarely referenced by name, factor into Gilliam's oeuvre. A similar work from the ‘White and Black' series titled DOROTHY'S MONDAY (1977) is a direct homage to Gilliam's wife, the pioneering civil rights journalist Dorothy Butler Gilliam. In both works, strongly defined collaged-canvas elements provide havens of stillness and consistency on the all-over, dynamic and shifting surfaces.
As an African-American, Sam Gilliam and members of his family experienced first-hand the advances and retreats of the Civil Rights movement of the twentieth century; and as a socially-engaged artist, Gilliam discussed these concerns and translated them into his artwork, visible here in CHILDREN THREE.

  • Provenance: Dart Gallery, Inc., Chicago inv. no. DC-4-77-31;
    Opera Society of Washington, D.C. Auction, November 1983; purchased from the above, American Petroleum Institute

    Exhibition:
    Dart Gallery Chicago, "NEW PAINTINGS BY SAM GILLIAM," April - May 1977
  • Dimensions: 47 3/4 x 1 1/4 x 54 in. (121.3 x 3.2 x 137.2 cm.)
  • Medium: Acrylic and canvas collage on beveled edge canvas
  • Condition: For a detailed condition report please request more information.

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